UC Faculty - Staff

Michael S. Martin, Ph.D.

Assistant Professor of Humanities and English

Tel: 304-357-4956
Cell: 304-357-4956
michaelmartin@ucwv.edu

Education

  • B.A., English, James Madison University
  • M.A., English, University of South Carolina 
  • Ph.D., English, Temple University

Research and Publications

Research Interests 

19th-Century American literature Early American literature Appalachian literature

Publications 

  1. “Biäñki’s Ghost Dance Map: Thanatoptic Cartography and the Native American Spirit World, Imago Mundi (Winter 2013) (Forthcoming)
  2. Review of Centenary Reflections on Mark Twain’s No. 44/The Mysterious Stranger, Studies in the Novel. 43: 4 (Winter 2011): 510-512. 
  3. “‘All These Things are Bodiless’”: Perceptual, Ontology, and Consciousness in Moby Dick,” Leviathan: A Journal of Melville Criticism. 11:1 (March 2009): 55-71 
  4. “Inverted Worlds: Spectral Phenomena and the Discourse of the Interior in the Salem Witch-hunt,” in Space, Haunting, Discourse. Marie Holmgren Troy, Ed. Cambridge: Cambridge Scholars Press, 2008.
  5. “Aesthetic Primacy, Cultural Identity, and Human Agency,” (A review of Aesthetics in a Multicultural Age. Emory Elliott, et al. Eds.) Postmodern Culture. 14:3 May 2004 http://muse.jhu.edu/journals/postmodern_culture/v014/14.3martin.html 
  6. “Review of Dictionary of Literary Biography 275: American Nature Writers: Prose,” Green Letters (Winter 2004): 45.
  7. “The Portrait Without a Subject:  German Re-visioning, the Self, Nature, and the Jamesian Novel,” The Henry James E-Journal. 5 (29 July 2002) http://www2.newpaltz.edu/~hathaway/ejourn5.html 
  8. “Jurgen Habermas,” with Nina Manasan Greenberg, Dictionary of Literary Biography, Volume 242:  Twentieth-Century European Cultural Theorist., Detroit: The Gale Group, 2001.

Projects under Consideration, Pending Acceptance 

  1. Book: Appalachian Pastoral: Mountain Excursions, Aesthetic Visions, and the Antebellum Travel Narrative (University of Tennessee Press)
  2. Article: “‘The Wilderness was Growing Wilder’”: The Limits of Cartographic Knowledge in Philip Pendleton Kennedy’s The Blackwater Chronicle and David Hunter Strother’s The Virginia Canaan.” Journal of Appalachian Studies 
  3. Article: “‘As Directed by Their Spirit Guides’: Shaker Supernatural Performance, Dead Subjects, and Disembodied Exchanges." Studies in American Culture 
  4. Article: in Edited Book Collection: ““The Mesmerist Conversion Narrative as Cultural Practice: Hawthorne, Fuller, Martineau and Their Dead Subjects." Circulations of Religion and Medicine in North American Culture 

Conference Papers 

  1. "“ ‘The Wilderness was Growing Wilder’”: The Limits of Cartographic Knowledge in Philip Pendleton Kennedy’s The Blackwater Chronicle and David Hunter Strother’s The Virginia Canaan,” Appalachian Studies Association annual conference, Indiana University, Pennsylvania, 23-25 March 2012
  2. “Disembodied Voices, Recordings and Mesmerist Science: Representing Death Rituals in Antebellum American Literature," Southern Humanities Council conference “Knowledge of Bodies: Bodies of Knowledge,” Louisville, Kentucky, 2-5 February 2012
  3. “Geography as Thanatoptic Space: The Spirit World in 19th-Century American Catographies,” Marking the Land, North American Studies Group, Universite de Tolouse le Mirail, France, 13-14 May 2011 
  4. “‘No Little Daring Simply to Copy Nature’: The Blackwater Chronicle, Rural Hours, and Complex Pastoralism in 19th-Century Appalachian Narratives,” Appalachian Studies Annual Annual Conference, Eastern Kentucky University, 11-13 March 2011 
  5. “Mesmerism and the Narrative Displacement of Death: Ritualized Forms of Mourning in the American Renaissance,” Death and Representation, University of Rochester, Rochester, NY, 26 March 2010
  6. “Dead Voices, The Early Republic, and the Disembodied Child Narrator” Northeast Modern Language Association Meeting, Boston, MA, 28 February 2009
  7. “Inverted Worlds: Spectral Phenomena and the Discourse of the Interior in the Salem Witch-hunt,” Space, Haunting, Discourse, Karlstad University, Sweden, 15-18 June 2006
  8. “‘All These Things are Bodiless, But Only Bodiless as Objects, Not as Agents”: Perceptual Modes, Formal Ontology, and Emergent Consciousness in Moby Dick,” Pennsylvania College English Association, Scranton, PA, 18-20 March 2004
  9. “A Transcendental Aesthetic in Combray?:  The Landscape Between Proustian Vision and Emersonian Idealism,” Association for the Study of Literature and the Environment, U.K., University of Leeds, Bretton Hall, 6-8 September 2002
  10. “Revisiting the Machinations of Fatality:  The Intertial Matrix of Absalom, Absalom!” Time, Memory, Text, SUNY-Binghamton, 24 March, 2001
  11. “The Portrait Without a Subject: Critiquing James in the Context of Kantian Aesthetics,” The Future of Form:  Reading On and Off the Page, The University of Virginia, 4 March 2001
  12. “To Demand a Horizon:  The Fusion of Landscape Aesthetics in Emerson’s Nature,” Southland Conference, University of California-Los Angeles, 28 April 2000
  13. “Virginia Crossroads:  Cooke’s Synthesis of Land and Culture in Leather and Silk,” Madison Conference 2000, James Madison University, 25 March 2000
  14. “Cosmological and Ontological Unity in early Transcendental Aesthetics,” The Pacific Rim Literary Conference, University of Alaska, 19 February 2000.

Projects under Consideration, Pending Acceptance 

“‘I saw a concourse of strange figures’: The Masque, Voyeurism, and Coverdale’s Self-Consciousness in The Blithedale Romance,” Interdisciplinary Nineteenth-Century Studies Conference. University of Virginia, March 11-13 2012.


Interests and Hobbies

Teaching, reading, watching sports, hiking, spending time with my family. I do have one guilty pleasure, and that is horror movies. Perhaps that interest can be developed into an actual college class.


My Links

 http://ucwv.academia.edu/MichaelMartin  

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